Hamilton Film Festival
School of Media Arts
Questions or Contact: info@hamiltonfilmfestival.com

2022 Camps and classes will be located inside the new
​Ancaster Memorial Arts Centre, Spring 2022
357 Wilson St. E, Ancaster On

KIDS CAN FILM

This popular camp is aimed at kids aged 8 - 12. The kids will learn how to make a short film, while making a short film, with the movie premiering at the 17th Annual Hamilton Film Festival in November 2022! The camp has been running for 5 years now and it is very popular with many kids returning each year. Once we open the camps for registration, more details will appear on this page. Use the sign-up form to be the first to know when camps open for registration. 

NEW  For kids 13+ we will be running the 5-Day film class for kids 13-17 

    Pre-Registration. 

    There is no charge to pre-register. Once we open registration, you would have first option to completely register before the public.
    Our camps in 2022 will be inside the Ancaster Memorial Arts Centre, 357 Wilson St E, Ancaster, On.

    There will be camps that run Monday to Friday  every week in the summer  (July / August) and a 4-Day Camp the week of Aug 2-5

    More details on those camps coming early 2022. 

    MEDIA ARTS INSTRUCTOR

About the owner.  
Nathan Fleet has been working in the field of entertainment for over 25 years. A natural educator, a musician by trade, and a filmmaker by default, Nathan has written, produced, directed, edited, composed and acted for several film, television, music video, and corporate productions. He is currently working on the 17th Annual Hamilton Film Festival, a TV series called WILD CHILD, as well as producing many other projects. 

Nathan teaches music and filmmaking, runs the Hamilton Film Festival, founded (and is the chair of) Lights Camera Hamilton, and he runs the music and film company Blue Pick Media. 
Picture

​This is a photo of me circa 1998 editing my 16mm short film, The Green Grass System,  on a flatbed at L.I.F.T. in Toronto, Ontario. Technology has come along way, but the thought process is the same. In this photo I would be working from a Work Print. The rushes would be in sync and since I only have one monitor in use, and that there is only one print on the flatbed, I assume that I have finished the edit and am watching it back. Likely my friend Derek or Alex are in here watching the cut, and they snapped this photo, on film. ​
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